{"id":1336,"date":"2018-01-01T00:00:51","date_gmt":"2018-01-01T00:00:51","guid":{"rendered":"http:\/\/phase.cpl.es\/?p=1336"},"modified":"2018-05-08T07:15:38","modified_gmt":"2018-05-08T07:15:38","slug":"343-enero-febrero","status":"publish","type":"post","link":"https:\/\/www.cpl.es\/phase\/?p=1336","title":{"rendered":"343 &#8211; Nuevas perspectivas musicales"},"content":{"rendered":"<h4 style=\"text-align: right;\">enero-febrero 2018 (a\u00f1o 58)<\/h4>\n<h3>Editorial<\/h3>\n<p><em><a href=\"http:\/\/phase.cpl.es\/wp-content\/uploads\/2018\/02\/18-343-Editorial-JA-Go\u00f1i.pdf\" target=\"_blank\">Nuevas perspectivas musicales<\/a>\u00a0<\/em>\u2013\u00a0<strong>Jos\u00e9 Antonio Go\u00f1i<\/strong><\/p>\n<h3>Art\u00edculos<\/h3>\n<p><strong>Fergus Ryan<\/strong>\u00a0\u2013\u00a0<em><a href=\"http:\/\/phase.cpl.es\/wp-content\/uploads\/2018\/02\/Article-F-Ryan.pdf\" target=\"_blank\">\u00abMusicam sacram\u00bb: Documento \u2013 Recepci\u00f3n \u2013 Evoluci\u00f3n<\/a><\/em><\/p>\n<p><strong>Jordi -A. Piqu\u00e9 i Collado<\/strong> \u2013\u00a0<em><a href=\"http:\/\/phase.cpl.es\/wp-content\/uploads\/2018\/02\/Article-JA-Pique.pdf\" target=\"_blank\">Consideraciones sobre una \u00ab\u201cquasi\u201d sacramentalidad\u00bb de la m\u00fasica en la liturgia<\/a><\/em><\/p>\n<p><strong>Daniel Alberto Escobar Portillo<\/strong>\u00a0\u2013<em><a href=\"http:\/\/phase.cpl.es\/wp-content\/uploads\/2018\/02\/Article-DA-Escobar.pdf\" target=\"_blank\"> Criterios para la selecci\u00f3n de cantos y m\u00fasica lit\u00fargica: Eucarist\u00eda, matrimonio y exequias<\/a><\/em><\/p>\n<h3>Puntos de vista<\/h3>\n<p><em>\u00bfParticipamos con el canto en nuestras celebraciones?<\/em>\u00a0\u2013 <strong>\u00d3scar Valado Dom\u00ednguez<br \/>\n<\/strong><em>La modalidad como signo del lenguaje musical sacro<\/em> \u2013 <strong>Ra\u00fal del Toro<br \/>\n<\/strong><em>\u00ab\u2026El susurro de una brisa suave\u00bb (1Re 19,12)\u00a0\u2013\u00a0<\/em><strong>\u00a0Roberto Fresco<br \/>\n<\/strong><em><a href=\"http:\/\/phase.cpl.es\/wp-content\/uploads\/2018\/02\/PdV-C-Fones.pdf\" target=\"_blank\">\u00abMisa \u00fclkantun\u00bb. Canto mapuche para la liturgia cat\u00f3lica<\/a><\/em>\u00a0<em>\u2013\u00a0<\/em><strong>Crist\u00f3bal Fones<\/strong><\/p>\n<h3>Noticias<\/h3>\n<p><em><a href=\"http:\/\/phase.cpl.es\/wp-content\/uploads\/2018\/02\/Noticias.pdf\" target=\"_blank\"> La tradici\u00f3n musical de la Iglesia [\u2026] (SC 112)<\/a><\/em><br \/>\n<em><a href=\"http:\/\/phase.cpl.es\/wp-content\/uploads\/2018\/02\/Noticias.pdf\" target=\"_blank\">Concesi\u00f3n del IV Memorial Pere Tena de Pastoral Lit\u00fargica<\/a><\/em><\/p>\n<h3>Libros<\/h3>\n<p><em>Bibliograf\u00eda reciente en espa\u00f1ol<\/em>\u00a0\u2013\u00a0<strong>Jos\u00e9 Antonio Go\u00f1i \u2013 Cristobal M. Orellana<br \/>\n<\/strong>Dionisio Borobio,<em> Sacramentalidad, sacramentos y m\u00edstica en santa Teresa de Jes\u00fas<\/em>\u00a0\u2013\u00a0<strong>Mar\u00eda Daniela Bil\u00f3<br \/>\n<\/strong>\u00d3scar Valado Dom\u00ednguez, <em>La m\u00fasica como \u00abporta fidei\u00bb en la conversi\u00f3n de Manuel Garc\u00eda Morente (1886-1942). Una interpretaci\u00f3n teol\u00f3gica a partir de la relectura teol\u00f3gico-musical del \u00abhecho extraordinario\u00bb\u00a0\u2013\u00a0<\/em><strong>Ramiro Gonz\u00e1lez<\/strong><\/p>\n<h3>In memoriam<\/h3>\n<p class=\"sumari\" style=\"margin-bottom: .0001pt; tab-stops: 19.85pt right dotted 271.0pt left blank 277.0pt right 293.0pt;\"><span lang=\"ES-TRAD\"><em><a href=\"http:\/\/phase.cpl.es\/wp-content\/uploads\/2018\/02\/Memoriam-J-Urdeix.pdf\" target=\"_blank\">Luis Maldonado Arenas (1930-2017) <\/a>\u2013\u00a0<\/em><strong>Josep Urdeix<\/strong><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>enero-febrero 2018 (a\u00f1o 58) Editorial Nuevas perspectivas musicales\u00a0\u2013\u00a0Jos\u00e9 Antonio Go\u00f1i Art\u00edculos Fergus Ryan\u00a0\u2013\u00a0\u00abMusicam sacram\u00bb: Documento \u2013 Recepci\u00f3n \u2013 Evoluci\u00f3n Jordi -A. Piqu\u00e9 i Collado \u2013\u00a0Consideraciones sobre una \u00ab\u201cquasi\u201d sacramentalidad\u00bb de la m\u00fasica en la liturgia Daniel Alberto Escobar Portillo\u00a0\u2013 Criterios para la selecci\u00f3n de cantos y m\u00fasica lit\u00fargica: Eucarist\u00eda, matrimonio &#8230;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5],"tags":[],"_links":{"self":[{"href":"https:\/\/www.cpl.es\/phase\/index.php?rest_route=\/wp\/v2\/posts\/1336"}],"collection":[{"href":"https:\/\/www.cpl.es\/phase\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.cpl.es\/phase\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.cpl.es\/phase\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.cpl.es\/phase\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1336"}],"version-history":[{"count":9,"href":"https:\/\/www.cpl.es\/phase\/index.php?rest_route=\/wp\/v2\/posts\/1336\/revisions"}],"predecessor-version":[{"id":1366,"href":"https:\/\/www.cpl.es\/phase\/index.php?rest_route=\/wp\/v2\/posts\/1336\/revisions\/1366"}],"wp:attachment":[{"href":"https:\/\/www.cpl.es\/phase\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1336"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.cpl.es\/phase\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1336"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.cpl.es\/phase\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1336"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}